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Publications

2018
Fore, Devin. “’Aktueller Realismus’. Sowjetische Faktographie und die Noetik der Zeitung”. Die Wirklichkeit des Realismus. Ed. Veronika Thanner, Joseph Vogl, & Dorothea Walzer. Munich: Fink Verlag, 2018. Print.
2017
The Eye in Matter. Dziga Vertov and Early Soviet Cinema
Fore, Devin. The Eye in Matter. Dziga Vertov and Early Soviet Cinema. Madrid: Reina Sofía, 2017. Print. fore_eye_in_matter.pdf
Fore, Devin, and Matthew Witkovsky. “Introduction”. Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test. Chicago: Art Institute of Chicago and Yale University Press, 2017. Print. fore_witkovsky_revdem_intro.pdf
Fore, Devin. “Social Engineering. On Soviet Organizational Science”. Artforum (2017). Print. fore_social_engineering.pdf
Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test
Fore, Devin, and Matthew Witkovsky, ed. Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test. Chicago: Art Institute of Chicago and Yale University Press, 2017. Print.
Fore, Devin. “Demonstration: The Aesthetics and Noetics of Display”. Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test. Chicago: Art Institute of Chicago and Yale University Press, 2017. 288-294. Print. fore_revdem_demonstration.pdf
Fore, Devin. “Vzryv”. Liquid Antiquity. Ed. Brooke Holmes & Karen Marta. Athens: Deste Foundation, 2017. 198-201. Print. fore_vzryv.pdf
Fore, Devin. “An Economy of Combined Trivials”. The Boat Is Leaking. The Captain Lied. Ed. Udo Kittelman. Milan: Fondazione Prada, 2017. 34-42. Print.
2016
Fore, Devin. “Biopolitics, Identity and the Public Sphere in the 1970s: Oskar Negt and Alexander Kluge (revised and expanded version of Introduction to Kluge and Negt, History and Obstinacy)”. Public Servants: Art and the Crisis of the Common Good. Cambridge, Mass: MIT Press, 2016. Print.
фор, Девин. “Сергей Третьяков: Факт”. Русские формалисты. Формы и структуры: Антология российского модернизма, Том 2 (2016): , 203-218. Print. fore_tretiakov_fakt.pdf
2015
Fore, Devin. “Die Emergenz der sowjetischen Faktographie”. Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 89.3 (2015): , 89, 3, 376-403. Print. fore_die_emergenz_der_sowjetischen_faktografie.pdf
2014
Fore, Devin. “Kluge and Negt”. October 149 (2014): , 149, 3-8. Print. fore_kluge_and_negt.pdf
History and Obstinacy
Kluge, Alexander, and Oskar Negt. History and Obstinacy. Ed. Devin Fore. New York: Zone Books, 2014. Print.
Fore, Devin. “Introduction”. History and Obstinacy. New York: Zone Books, 2014. Print. Fore, Introduction.pdf
2013
Fore, Devin. “Jenseits der Einstellung, hinter der Szene. Ejzenstein’s Generallinie”. Synchronisierung der Künste. 2013. Print.
Futurity Now
Fore, Devin, and Leslie Adelson, ed. “Futurity Now”. Special Issue of Germanic Review 88.2 (2013). Web. Publisher's Version
Fore, Devin. “The Metabiotic State: Dziga Vertov's The Eleventh Year”. October 145 (2013): , 145, 3-37. Print. Fore, Metabiotic State.pdf
2012
Fore, Devin. “An Interview with Valie Export”. Interview Magazine 42.7 (2012): , 42, 7, 268-273. Reprinted in Sexuality (Documents of Contemporary Art), ed. Amelia Jones (Cambridge, Mass: The MIT Press, 2014). Web. Publisher's Version
Realism after Modernism: The Rehumanization of Art and Literature
Fore, Devin. Realism after Modernism: The Rehumanization of Art and Literature. Cambridge, Mass. MIT/October Books, 2012. Print. Fore, Realism after Modernism, Chapter 4.pdf Bois, review ARTFORUM.pdf Potts, review CAA.pdf Leslie, review OXFORD ART JOURNAL.pdf Bledsoe, review CHOICE.pdf Iles, review RADICAL PHILOSOPHY.pdf
2011
Fore, Devin. “Un ensevelissement sous les feuilles: BebuquinII, l’autobiographie de Carl Einstein”. Gradhiva. Revue d’anthropologie et d’histoire des arts 14 (2011): , 14, 164-183. Print.
Fore, Devin. “Review of A Hard Merciless Light: The Worker-Photography Movement, 1926-1939 (Museo Reina Sofia, Madrid)”. Artforum, Summer issue (2011): , Summer issue, 398. Print. fore_worker-photography.pdf
Fore, Devin. “Conquistar al Tiempo”. Carta 2 (2011): , 2, 70-74. Print.
2010
Fore, Devin. “Between Athlos and Arbeit: Myth, Production, and Cement”. New German Critique 110 (2010): , 110, 125-152. Print.
Fore, Devin. “Dziga Vertov, The First Shoemaker of Soviet Cinema”. Configurations 18.3 (2010): , 18, 3, 363-382. Print. fore_vertov_first_shoemaker.pdf
Fore, Devin. “Formalism”. The Encyclopedia of the Novel . 2010. Print.
Fore, Devin. “Review of Peter Geimer, Bilder aus Versehen. Eine Geschichte fotografischer Erscheinungen”. Texte zur Kunst 20.8 (2010): , 20, 8, 162-165. Print. fore_geimer_review.pdf
2009
Fore, Devin. “Gegen den ‘lebendigen Menschen’: Experimentelle sowjetische Biografik der 1920er Jahre”. Geschichte und Theorie der Biographie, ed. Bernhard Fetz . 2009. Print.
2008
Fore, Devin. “The Entomic Age”. Grey Room 33 (2008): , 33, 26-55. Print.
Fore, Devin. “1825/1936: Consonances of Two Godunovs ”. Three Oranges 17 (2008): , 17, 18-19. Print. fore_godunov.pdf
2006
Fore, Devin. “Döblin's Epic: Sense, Document, and the Verbal World Picture”. New German Critique 99 (2006): , 99, 171-207. Print.
Fore, Devin. “An Interview with Julia Kristeva”. V Magazine 39 (2006): , 39, 131-132. Print.
Special Issue on Soviet Factography
Fore, Devin (editor). “ Special Issue on Soviet Factography ”. October 118 (2006). Print.
Fore, Devin. “The Operative Word in Soviet Factography”. October 118 (2006): , 118, 95-131. Print. Fore, Operative Word.pdf