Publications

2016
Levin, Thomas Y.We Have Never been Present (at least not to ourselves)”. Presence - A Conversation at Cabaret Voltaire, Zurich. Philip Ursprung, Mechtild Widrich & Jürg Berthold Eds. Berlin: Sternberg Press, 2016. passim. Print.
2010
Levin, Thomas Y.Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Hanecke’s Caché [Revised and expanded version]”. A Companion to Michael Hanecke. Roy Grundmann, Ed. London: Wiley-Blackwell, 2010. 75-90. Print. Levin-Five_Tapes_Four_Halls_Two_Dreams_-On_Haneckes_Caché.pdf
  • In German, translated by Wilhelm Werthern, as “Fünf Bänder, vier Flure, zwei Träume: Wechselfälle der Überwachungsnarration in Michael Haneckes Caché,” in Winfried Pauleit, Christine Rüffert, Karl-Heinz Schmid, Alfred Twes, Eds., Public Enemies: Film zwischen Identitätsbildung und Kontrolle (Berlin: Bertz & Fischer, 2011): 76-87
Levin, Thomas Y.Surveillance, Aesthesis, Literacy”. Twenty-Five: An Anthology for the 25th Anniversary of BIT Teatergarasjen. Marie Nerland, Ed. Bergen (Norway): BIT Teatergarasjen, 2010. 189-193. Print. Levin-Surveillance_Aesthesis_Literacy.pdf
2009
Levin, Thomas Y.Alegato por la violencia sonora”. Cultura/s [= weekly cultural magazine of] La Vanguardia (November 4, 2009) 2009: , 3-4. Print.
2008
Levin, Thomas Y., and Michael W. Jennings. “Publishing Industry and Radio [=Introductory essay]”. Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Jennings, Doherty & Levin, Eds. Cambridge, Mass. Harvard UP, 2008. 343-352. Print.
Levin, Thomas Y.Film [Section Introduction]”. Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility. Jennings, Doherty & Levin, Eds. Cambridge, Mass. Harvard UP, 2008. 315-322. Print.
Levin, Thomas Y., Michael W. Jennings, and Brigid Doherty. “Editor’s Introduction”. Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Cambridge, Mass. Harvard UP, 2008. 1-8. Print.
Levin, Thomas Y.Agencies of Vision: Remarks on Selected Works by Denis Beaubois”. Video Logic. Sidney: Museum of Contemporary Art, 2008. 14-21. Print.
Levin, Thomas Y.The Eye Reconfigured - New Apparatuses”. Fotografia e Novas Mídias. Antonio Fatorelli, Ed. Rio de Janeiro: Editora Contra Capa, 2008. 146-160. Print.
  • In Brazilian Portuguese as “A reconfiguração do olhar - novos dispositivos” in Fatorelli, Ed., Fotografia e  Novas Mídias: 61-75
Levin, Thomas Y.Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Hanecke’s Caché”. Function/Fiction: Utilitarian Images Reconfigured. Vincent Bonin & France Choinière, Eds. Montreal: Les Éditions Dazibao, Centre de Photographies Actuelles / Edipresse, 2008. 59-70. Print.
  • In French, translated by Colette Tougas, as “Cinq cassettes video, quatre couloirs, deux rêves: Les Vicissitudes du récit de surveillance dans Caché de Michael Haneke,”  in: Bonin & Choinière, Eds., Fonction/Fiction: L'image utilitaire reconfigurée: 61-73

	Walter Benjamin - The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
Levin, Thomas Y., et al. Walter Benjamin - The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media . (with Brigid Doherty & Michael W. Jennings) Cambridge, Mass. Harvard UP, 2008. Print.
2006
Levin, Thomas Y.Surveillant”. Sensorium: Embodied Experience, Technology, and Contemporary Art. Caroline A. Jones, Ed. . Cambridge, Mass. List Visual Art Center and MIT Press, 2006. 212-215. Print.
Levin, Thomas Y.Film As Critical Practice: Thomas Y. Levin, Keith Sanborn and Anthony Vidler in Conversation with Jean-Michel Rabaté”. Rrrevolutionnaire: Conversations in Theory, Vol. 1. Gregg Lambert & Aaron Levy, Eds. Philadelphia: Slought Books, 2006. 151-171. Print. Levin-Film_as_Critical_Practice.pdf
2003
Levin, Thomas Y.'Tones from out of Nowhere': Rudolf Pfenninger and the Archaeology of Synthetic Sound””. Grey Room 12 (2003): , 12, 32-79. Print. Levin-Tones_from_Nowhere_On_Pfenninger.pdf
  • Reprinted in Thomas Keenan and Wendy Hui Kyong Chun, Eds., New Media, Old Media: A History and Theory Reader (NY: Routledge, 2005): 45-81
  • In French, in a somewhat edited version translated by Jean-François Allain, as “‘Des sons venus de nulle part’: Rudolf Pfenninger et l’archéologie du son synthétique” in: Sophie Duplaix & Marcella Lista, Eds, Sons & Lumieres, une histoire du son dans l’art du XXe siècle (Paris: Éditions du Centre Pompidou, 2004): 51-60
2002
Levin, Thomas Y.Rhetoric of the Temporal Index: Surveillant Narration and the Cinema of 'Real Time'”. CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother. Thomas Y. Levin et. al Eds. . Cambridge, Mass. MIT Press, 2002. 578-593. Print. Levin-Rhetoric_of_the_temporal_Index_levin.pdf
  • Rpt. in Wendy Hui Kyong Chun, Anna Watkins Fisher & Thomas Keenan, Eds.,  New Media, Old Media A History and Theory Reader, 2nd Edition (New York: Routledge, 2015): 523-538
  • Rpt. in English and in a Greek translation by Titika-Maria Saratsi, in Big Brother: Architecture and Surveillance (Athens: National Museum of Contemporary Art, 2002): 24-37
  • In Portuguese, translated by Raquel Mouta, as “Retórica do índex Temporal: Narração Vigilante e o Cinema do ‘Tempo Real’” in: Insi(s)tu: revista de Cultura Urbana (Porto) #5/6 (Summer 2003): 126-147
  • In German, translated by Michael Wedel, as “Die Rhetorik der Zeitanzeige: Erzählen und Über-wachen im Kino der »Echtzeit«” in: Malte Hagener, Johann N. Schmidt & Michael Wedel, Eds., Die Spur durch den Spiegel: Der Film in der Kultur der Moderne (Berlin: Bertz Verlag, 2004): 349-366
  • In Swedish, translated by Astrid Trotzig, as “Retorik för temporala index: om övervakningens berättelse och filmens ‘realtid’” in Konst och Nya Media (Stockholm: Kungl. Konsthögskolan, 2005): 86-102
  • In Hebrew, translated by Analu Verbin, as “Retorikat Ha'index Shel Hazman: Pikuakh Ve'hakolno'a Shel Zman Emet” in Block #02: Control (Tel Aviv, Summer 2005): 8-21
  • In Brazilian Portuguese, translated by Renato Rezende, as “Retórica do Índex Temporal: Narração Vigilante e o Cinema de ‘Tempo Real’,” in Katia Maciel, Ed., TransCinemas (Rio de Janeiro: ContraCapa, 2009): 175-192
Levin, Thomas Y.'Töne aus dem Nichts': Rudolf Pfenninger und die Archäologie des synthetischen Tons”. Zwischen Rauschen und Offenbarung. Zur Kultur- und Mediengeschichte der Stimme. Berlin: Akademie Verlag, 2002. 313-355. Print. Levin-Töne_aus_dem_nichts.pdf
  • Partial reprint, both in English (“The Race that Wasn’t One: Oskar Fischinger, Rudolf Pfenninger and the ‘Discovery’ of Synthetic Sound”; pp. 85-93) and in a German translation by David Hauptmann (“Der Wettlauf der keiner war: Fischinger, Pfenninger und die ‘Entdeckung’ des synthetischen Tons”; pp. 93-103) in Paul DeMarinis, Buried in Noise (Heidelberg: Kehrer Verlag, 2011): 85-103
CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother
Levin, Thomas Y. CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, Mass. MIT Press, 2002. Print.
2001
Levin, Thomas Y.Jeff Guess: 'Fonce Alphonse'”. CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother. Thomas Y. Levin et. al Eds. . Cambridge, Mass. MIT Press, 2001. 612-613. Print.
Levin, Thomas Y.'Where my tape, man?': Denis Beaubois and the Performative Politics of Panoptical Détournement”. Die wachsame Gesellschaft. Internationaler Medienkunstpreis 2001 . Karlsruhe: ZKM/SWR, 2001. 80-99. Print. Levin-Where_my_Tape_Man?.pdf
  • Reprinted in Levin, et.al. Eds., CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother (2001): 608-611
  • Reprinted as “Surveillance and the Ludic Reappropriation of Public Space” in: Open #6 “(in)security” issue (Amsterdam: NAI Publishers, 2004): 50-60
  • In German, translated by Nikolaus G. Schneider, as “‘Where my tape, man?’: Denis Beaubois und die performative Politik des panoptischen Détournement,” in: CTRL [SPACE]: Die wachsame Gesellschaft. Internationaler Medienkunstpreis 2001 (Karlsruhe: ZKM/SWR, 2001): 80-99
  • In Dutch, translated by Leo Reijnen, as “Surveillance en de ludieke herovering van de openbare ruimte” in: Open #6 “(on) veiligheid” issue (Amsterdam: NAI Publishers, 2004): 61-71
  • Reprinted in English and in the Dutch translation by Leo Reijnen, in: Petran Kockelkoren, Ed. Mediated Vision (Arnhem and Rotterdam: ArtEZ Press and Veenman Publishers, 2007): 84-99
2000
Levin, Thomas Y.'You Never Know the Whole Story': Ute Friederike Jürß and the Aesthetics of the Heterochronic Image”. Ute Friederike Jürß: You Never Know the Whole Story. Stuttgart: Cantz Verlag, 2000. 54-87. Print.
  • Reprinted, in an updated and revised version, in Tanya Leighton, Ed., Art and the Moving Image: A Critical Reader (London: Tate Publishing in association with AFTERALL: 2008): 460-474
  • In German, translated by Gerd Burger, as “’You Never Know the Whole Story’: Ute Friederike Jürß und die Ästhetik des heterochronen Bildes,” in: Ute Friederike Jürß: You Never Know the Whole Story (Stuttgart: Cantz Verlag, 2000): 54-87
  • In French, translated by Jean-Francois Allain, as “‘Le Tremblement de la Représentation’: Ute Friederike Jürß et l´ésthétique de l´image hétérochrone” in: Les Cahiers du Musée National d’Art Moderne #78 (Winter 2001-2002): 21-39
  • In Brazilian Portuguese, translated by Elisabety Lissovsky, as “O Terremoto De Representação: Composição Digital e a Estética Tensa de Imagem Heterocrônica,” in Fernanda Bruno & Antonio Fatorelli, Eds., Limiares Da Imagem: Tecnologia e Estética na Cultura Contemporãnea (Rio de Janeiro: Mauad Editora, 2006): 197-215
Levin, Thomas Y.Die Rhetorik der Überwachung: Angst vor Beobachtung in den zeitgenössischen Medien”. 7 Hügel: Bilder und Zeichen des 21. Jahrhunderts. Band IV- Zivilisation: Städte-Bürger-Cybercities. Die Zukunft unserer Lebenswelten. Berlin: Henschel, 2000. 49-63. Print.
1999
Levin, Thomas Y.Caputher Gespräch: Über Formen der Wissensvermittlung [[Edited transcript of a discussion with Jürgen Trabant (Berlin), Mosche Barasch (Jerusalem), Helga Nowotny (Vienna) and Kurt W. Forster (Zurich), broadcast live on Austrian television]”. Wissensbilder: Strategien der Überlieferung. Ulrich Raulff & Gary Smith, Eds. Berlin: Akademie Verlag, 1999. 341-362. Print.
Levin, Thomas Y. Vor dem Piepton: Eine kleine Geschichte des Voice Mail ”. Wissensbilder: Strategien der Überlieferung. Ulrich Raulff & Gary Smith, Eds. Berlin: Akademie Verlag, 1999. 279-318. Print. Levin-Vor_dem_Piepton.pdf
Levin, Thomas Y.Constant’s New Babylon: New Babylon Today [A Panel Discussion with Hilde Heynen, Frédéric Migayrou and Mark Wigley]”. FROM 1 (1999): , 1, 15-33. Print.
Levin, Thomas Y.Indexicality Concrète: The Aesthetic Politics of Christian Marclay’s Gramophonia”. Parkett 56 (1999): , 56, 162-169. Print. Levin-Indexicalty_Concrete-on_christian_marclay.pdf
  • In German, translated by Uta Goridis, as “Indexikalität Concrète: Überlegungen zu Christian Marclays ‘Grammophonie’,” Parkett 56 (1999): 170-176
  • Reprinted in Jean-Pierre Criqui, Ed., On & By Christian Marclay (London: Whitechapel Gallery/ Cambridge, Mass: MIT Press, 2014): 97-103
1996
Levin, Thomas Y.Iconology at the Movies: Panofsky’s Film Theory [Revised and expanded version]”. The Yale Journal of Criticism 91 (1996): , 9, 1, 27-55. Print.
  • Reprinted in Angela Dalle Vacche, Ed, The Visual Turn: Classical Film Theory and Art History (New Brunswick: Rutgers UP, 2002): 85-114
Levin, Thomas Y.Geopolitics of Hibernation: The Drift of Situationist Urbanism”. Situacionistas: arte, política, urbanismo / Situationists: art, politics, urbanism. Libero Andreotti and Xavier Costa, Eds. Barcelona: Museu d’Art Contemporani, 1996. 111-146. Print.
  • In Spanish, as “Geopolítica de la hibernación: la deriva del urbanismo situacionista,” in Andreotti and Costa, Eds., Situacionistas: arte, política, urbanism: 111-146
  • In Catalan, as “Geopolítica de la hibernació: la deriva de l’urbanisme situacionista,” in Andreotti and Costa, Eds., Situacionistes: arte, política, urbanisme: 111-146
  • In German, translated by Wolfgang Himmelberg, as “Geopolitik des Winterschlafs: Zum Urbanismus der Situationisten” in Jörg Huber/Martin Heller, Eds., Konturen des Unenstchiedenen [=Intervention-en 6] (Basel/Frankfurt/M.: Stroemfeld/Roter Stern & Museum für Gestaltung Zürich, 1997): 257-286
  • German translation reprinted in the Positionen 2 (November 1997) issue of Wolkenkuckuksheim / Cloud-Cuckoo-Land – International Journal of Architectural Theory (TU-Cottbus) at http://www.tu-cottbus.de/BTU/Fak2/TheoArch/wolke/X-positionen/Levin/levin.html
  • German translation reprinted, with extensive illustrations, as “Der Urbanismus der Situationisten” in ARCH+ 139/140 (December ‘97/January ‘98): 70-82
  • German translation reprinted in Derive: Magazin der interdisziplinären Wochen an der Muthesius-Hochschule für Kunst und Gestaltung, Kiel (2001): 46-69
1995
Levin, Thomas Y.Nationalitäten der Sprache - Adornos Fremdwörter: Multikulturalismus und bzw. als Übersetzung”. Multikulturalität: Tendenzen, Probleme, Perspektiven. Michael Kessler & Jürgen Wertheimer, Eds. Tübingen: Stauffenburg Verlag, 1995. 77-89. Print.
Levin, Thomas Y.Introduction to The Mass Ornament”. Siegfried Kracauer: The Mass Ornament. Cambridge, Mass. Harvard UP, 1995. 1-30. Print.
Levin, Thomas Y.Iconology at the Movies: Panofsky’s Film Theory”. Meaning in the Visual Arts: Views from the Outside. A Centennial Commemoration of Erwin Panofsky (1892-1968). ing Lavin, Ed. Princeton: Institute for Advanced Study, 1995. 313-333. Print.
  • In German, translated by Jürgen Blasius, as “Die Ikonologie geht ins Kino: Panofskys Filmtheorie” in: Texte zur Kunst 6:23 (August 1996): 120-141
  • Slightly longer German version in Auf Der Suche Nach Dem Filmischen [Kinoschriften vol. 5] (Vienna: Synema-Publikationen, 2002): 99-122
  • In French, translated by Jean-François Sené, as “Un Iconologue au Cinéma: La Théorie cinématographique de Panofsky” in: Les Cahiers du Musée National d’Art Moderne 59 (Spring 1997): 35-74; rpt. in Jean-Pierre Criqui, Ed., Questions d’Histoire de L’Art (Paris: Centre Pompidou, 2011): 124-162
Levin, Thomas Y.Before the Beep: A Short History of Voice Mail”. Technophonia: Essays in Sound 2. Darlinghurst: Contemporary Sound Arts, 1995. 59-67. Print.
  • Reprinted in Theo van Leeuwen, Ross Gibson & Norie Neumark, Eds., Voice: Vocal Aesthetics in Digital Art and Media (Cambridge, Mass: MIT Press, 2010): 17-32
  • In German, translated by Hans Harbort, as “Der Phonograph als Schreibmaschine: Töne und Stimmen als Schrift - Kulturgeschichtliche Anmerkungen zur akustischen Überlieferung vom Grammophon bis zur ‘Voice Mail’,” Berliner Zeitung vol.53, no.282 (December 3, 1997), Sonderbeilage, III
Siegfried Kracauer, The Mass Ornament. Weimar Essays
Siegfried Kracauer, The Mass Ornament. Weimar Essays. (Translated, Edited and with an Introduction by Thomas Y. Levin) Cambridge Mass. Harvard UP, 1995. Print.
  • “The Little Shopgirls Go to the Movies” rpt. in Richard W. McCormick & Alison Guenther-Pal, Eds., German Essays on Film (New York/London: Continuum, 2004): 99-111
  • “The Hotel Lobby” rpt. in Neil Leach, Ed., Rethinking Architecture: A Reader in Cultural Theory (London/New York: Routlege, 1997; Taylor & Francis e-Library 2005): 51-57; in Malcolm Miles & Tim Hall, Eds., The City Cultures Reader (London/ New York: Routledge, 2004): 33-39; and in Jennifer Volland, et. Al., Eds., Grand Hotel Redesigning Modern Life (Vancouver: Vancouver Art Gallery/Hatje Cantz, 2013)
  • “Boredom” rpt. in Ben Highmore, Ed., The Everyday Life Reader (London/New York: Routledge, 2002): 301-304
  • “Photography” partially rpt. in Vanessa R. Schwartz & Jeannene M. Przyblyski, Eds., The Nineteenth Century Visual Culture Reader (London: New York, Routlege, 2004): 60-63
  • “The Mass Ornament” rpt. in Debbie Lewer, Ed., Post-Impressionism to World War II: Blackwell Anthologies in Art History (Malden, MA/Oxford: Blackwell, 2006): 165-173
  • “On the Writings of Walter Benjamin” rpt. in Peter Osborne, Ed., Walter Benjamin: Critical Evaluations in Cultural Theory (New York: Routledge, 2005): 1-6
1994
Levin, Thomas Y., and Michael von der Linn. “Elements of a Radio Theory: Adorno and the Princeton Radio Research Project”. Musical Quarterly 78.2 (1994): , 78, 2, 316-324. Print. Levin-Adorno_and_the_Princeton_Radio_Research_Project.pdf
1993
Levin, Thomas Y.Integral Interpretation: Introductory Notes to Beethoven, Kolisch and the Metronome”. Musical Quarterly 77.1 (1993): , 77, 1, 81-89. Print. Levin-Integral_Interpretation.pdf
1992
Kracauer, Siegfried. “Roller Coaster [Thomas Y. Levin, trans.]”. Qui Parle: Literature, Philosophy, Visual Arts, History 5:.2 (1992): , 5:, 2, 58-60. Print.
  • Reprinted in Nicholas Adams & Joan Ockman, Eds., Architecture USA: Forms of Spectacle (= Casabella #673/674; Milan: December 1999 - January 2000): 9
Farocki, Harun. “Reality Would Have to Begin [Thomas Y. Levin, Thomas Keenan and Marek Wieczorek, trans.]”. Documents 1/2 (Fall/Winter) (1992): , 1/2 (Fall/Winter), 136-146. Print.
1991
Levin, Thomas Y.Neue Kracauer-Texte: Eine bibliographische Meldung”. Jahrbuch der Deutschen Schillergesellschaft 35. 1991. 460-462. Print.
Levin, Thomas Y.The English-Language Reception of Kracauer’s Work: A Bibliography”. New German Critique 54 (1991): , 54, 183-189. Print. Levin-Kracauer_reception_in_English.pdf
1990
Adorno, Theodor W.The Curves of the Needle, The Form of the Phonograph Record, and Opera and the Long-playing Record [Thomas Y. Levin, trans.]”. October 55 (1990): , 55, 48-66. Print.
  • Reprinted in Richard Leppert, Ed., Theodor W. Adorno: Essays On Music (Berkeley/Los Angeles: University of California Press, 2002): 271-287
  • “The Curves of the Needle” reprinted in Anton Kaes, Martin Jay and Edward Dimendberg, Eds., The Weimar Republic Sourcebook (Berkeley/Los Angeles/London: University of California Press, 1994): 606-607
Levin, Thomas Y., and Michael K. Kessler. “Vorwort”. Siegfried Kracauer. Neue Interpretationen. Michael Kessler & Thomas Y. Levin, Eds. Stuttgart: Stauffenburg Verlag, 1990. VII-XIII. Print.
Levin, Thomas Y.Archäologie des Exils: Siegfried Kracauers Briefe an Daniel Halévy [Edited, annotated and with an introduction] ”. Siegfried Kracauer. Neue Interpretationen. Michael Kessler and Thomas Y. Levin, Eds. Stuttgart: Stauffenburg Verlag, 1990. 345-417. Print.
Levin, Thomas Y. Der enthüllte Kracauer: Ein Forschungsbericht ”. Siegfried Kracauer. Neue Interpretationen. Michael Kessler & Thomas Y. Levin, Eds. Stuttgart: Stauffenburg Verlag, 1990. 229-247. Print.
Levin, Thomas Y.For the Record: Adorno on Music in the Age of its Technological Reproducibility”. October 55 (1990): , 55, 23-47. Print. Levin-For_the_Record.pdf

	Siegfried Kracauer. Neue Interpretationen
Levin, Thomas Y. Siegfried Kracauer. Neue Interpretationen . (with Michael Kessler ) Tübingen: Stauffenburg Verlag, 1990. Print.
1989
Levin, Thomas Y.Dismantling the Spectacle: The Cinema of Guy Debord”. On the Passage of a few people through a rather brief moment in time: The Situationist International 1957-1972. Elisabeth Sussman, Ed. Cambridge, Mass. MIT Press, 1989. 72-123. Print. Levin - Dismantling the Spectacle- The Cinema of Guy Debord.pdf
  • Reprinted in Tom McDonough, Ed., Guy Debord and the Situationist International: Texts and Documents (Cambridge, MA: MIT Press, 2002): 321-453
  • In German, translated by Käthe Trettin, as “Auflösung des Spektakels: Das Kino von Guy Debord,” in: Yvonne Spielmann, Ed., Kunst und Politik der Avant-Garde (Frankfurt/M.: Mouson Verlag, 1989): 83-107
  • In Serbian, translated by Ljiljana Filipovic, as “Ogoljenje Spektakla: Kinematografija Guya Deborda,” broadcast on “Treci Program Hrvatskog Radija” in Belgrade on December 16, 1996
  • In Italian, as “Smantellare lo spettacolo,” in Monica Dall’asta and Marco Grosoli, Eds., Consumato dal fuoco: Il cinema di Guy Debord (Pisa: Edizioni ETS, 2011): 29-60
  • Revised German version, translated by Uli Nickel, as “‘Ciné qua non’: Guy Debord und die filmische Praxis als Theorie,” in Gregor Stemmrich, Ed., Kunst/Kino-Jahresring 48: Jahrbuch für moderne Kunst (Cologne: Oktagon Verlag, 2001): 17-29
  • Revised German Version (in Stemmrich, Ed., above) reprinted online at http://www.medienkunstnetz.de/themen/kunst_und_kinematografie/debord/
  • Revised German version in Serbian as “Ukidanje spektakta: Film Gi Debora” in: Jelena Stojanovic, Ed., Dubok san / The Big Sleep,Catalogue for the 26th memorial ”Nadežda Petrović”, Čačak, Serbia, 2012: 140-152

	Siegfried Kracauer: Eine Bibliographie seiner Schriften
Levin, Thomas Y. Siegfried Kracauer: Eine Bibliographie seiner Schriften . Marbach am Neckar: Deutsche Schillergesellschaft, 1989. Print.
1988
Benjamin, Walter. “The Rigorous Study of Art: On the First Volume of Kunstwissenschaftliche Forschungen [Thomas Y. Levin, trans.]”. October 47 (1988): , 47, 84-90. Print.
  • Reprinted in Christopher Wood, Ed., The Vienna School Reader: Politics and Art Historical Method in the 1930s (New York: Zone Books, 2000): 437-451
  • Reprinted in Walter Benjamin, Selected Writings Vol. 2 (1927-1934), Michael W. Jennings et. al., Eds., (Cambridge, Mass./London: Harvard UP, 1999): 666-672
  • Reprinted in Jennings, Doherty & Levin, Eds., Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media: 67-74
  • Translator’s annotations rpt. in Spanish in: KALIAS. Revista d’Arte 2:3-4 (1990): 89-92
  • Translator’s annotations rpt. in Portuguese, translated by Fabiana Santos, in: ConcinnitasRevista do Instituto de Artes da UERJ (Rio de Janeiro) vol.4 #5 (December 2003)
Levin, Thomas Y.Walter Benjamin and the Theory of Art History: An Introduction to 'Rigorous Study of Art'”. October 47 (1988): , 47, 77-83. Print. Levin-benjamin_and_theory_of_art_history.pdf
  • In Spanish as “Walter Benjamin y la Teoria de la Historia del Arte” in: KALIAS. Revista d’Arte 2:3-4 (Valencia October 1990): 92-96
1987
Levin, Thomas Y.Siegfried Kracauer in English: A Bibliography”. New German Critique 41 (1987): , 41, 140-150. Print.
Levin, Thomas Y.From Dialectical To Normative Specificity: Reading Lukács on Film”. New German Critique 40 (1987): , 40, 35-61. Print. Levin-Lukacs_on_Film.pdf
  • In German, translated by Michael Omasta together with an interpolation of the two versions of the Lukács text, as “Von der dialektischen zur normativen Eigenart: Lukács und das Kino,” in: Kino-Schriften 3. Jahrbuch der Gesellschaft für Filmtheorie (Vienna: Verlag der wissenschaftlichen Gesellschaften Österreichs, 1992): 199-231
1985
Foucault, Michel. “Final Interview [Thomas Y. Levin & Isabelle Lorenz, trans.]”. Raritan Review V1 (1985): , V, 1, 1‑13. Print.
  • Reprinted as “The Return of Morality” in: Lawrence D. Kritzman, Ed., Michel Foucault: Politics, Philosophy, Culture. Interviews and other Writings 1977-84 (New York: Routledge, 1988): 242-254
Adorno, Theodor W.On the Question: "What is German?" [Thomas Y. Levin, trans.]”. New German Critique 36 (1985): , 36, 121‑131. Print.
Levin, Thomas Y.Nationalities of Language: Adorno’s Fremdwörter. An Introduc­tion to Theodor W. Adorno, "On the Question: 'What Is German?'"”. New German Critique 36 (1985): , 36, 111-119. Print. Levin-Nationalities_of_Language.pdf
  • Reprinted in: “Soziographie” Blätter des Forschungskomitees “Soziographie” der Schweizerischen Gesellschaft für Soziologie 7 (1993): 99-109
  • Reprinted in FROM (Rotterdam) #1 (September 1999): 112-117
1984
Levin, Thomas Y.The Acoustic Dimension: Notes on Cinema Sound”. Screen (London) 25.3 (1984): , 25, 3, 55-68. Print. Levin-Acoustic_Dimension-notes_on_cinema_sound.pdf
1982
Habermas, Jürgen. “The Entwinement of Myth and Enlighten­ment: Re‑reading Dialectic of Enlightenment [Thomas Y. Levin, trans.]”. New German Critique 26 (1982): , 26, 13-30. Print.
  • Reprinted in Larry Ray, Ed., Critical Sociology (Aldershot, UK/Brookfield, Vermont: Edward Elgar Publishing, 1990): 201-218
  • Reprinted in Jay Bernstein, Ed., The Frankfurt School: Critical Assessments, Volume III (London/New York: Routledge, 1994): 35-50