Dismantling the Spectacle: The Cinema of Guy Debord

Citation:

Levin, Thomas Y. “Dismantling the Spectacle: The Cinema of Guy Debord”. On the Passage of a few people through a rather brief moment in time: The Situationist International 1957-1972. Elisabeth Sussman, Ed. Cambridge, Mass. MIT Press, 1989. 72-123. Print.

Notes:

  • Reprinted in Tom McDonough, Ed., Guy Debord and the Situationist International: Texts and Documents (Cambridge, MA: MIT Press, 2002): 321-453
  • In German, translated by Käthe Trettin, as “Auflösung des Spektakels: Das Kino von Guy Debord,” in: Yvonne Spielmann, Ed., Kunst und Politik der Avant-Garde (Frankfurt/M.: Mouson Verlag, 1989): 83-107
  • In Serbian, translated by Ljiljana Filipovic, as “Ogoljenje Spektakla: Kinematografija Guya Deborda,” broadcast on “Treci Program Hrvatskog Radija” in Belgrade on December 16, 1996
  • In Italian, as “Smantellare lo spettacolo,” in Monica Dall’asta and Marco Grosoli, Eds., Consumato dal fuoco: Il cinema di Guy Debord (Pisa: Edizioni ETS, 2011): 29-60
  • Revised German version, translated by Uli Nickel, as “‘Ciné qua non’: Guy Debord und die filmische Praxis als Theorie,” in Gregor Stemmrich, Ed., Kunst/Kino-Jahresring 48: Jahrbuch für moderne Kunst (Cologne: Oktagon Verlag, 2001): 17-29
  • Revised German Version (in Stemmrich, Ed., above) reprinted online at http://www.medienkunstnetz.de/themen/kunst_und_kinematografie/debord/
  • Revised German version in Serbian as “Ukidanje spektakta: Film Gi Debora” in: Jelena Stojanovic, Ed., Dubok san / The Big Sleep,Catalogue for the 26th memorial ”Nadežda Petrović”, Čačak, Serbia, 2012: 140-152

Last updated on 10/31/2017